KOSAKU KANECHIKA is pleased to present the exhibition “GROUP SHOW: 7 ARTISTS” from January 26th to February 23rd, 2019.
The show presents work by Yutaka Aoki, Masaho Anotani, Junko Oki, Takuro Kuwata, Ataru Sato, Chikashi Suzuki, and Noritaka Tatehana.

Despite their diversity of approaches and expressive languages, each work is similar in the ways in which the stories they individually tell draws the viewer in.

Yutaka Aoki uses acrylic paint to create abstract works with substantial impasto to study light and its organic, three-dimensional qualities. Aoki observes light as a multi-faceted element that grants information on the world and is also an indicator of the passage of time. His paintings oscillate between two- and three-dimensionality, and respond not only to materials and production processes, but also to specific elements in their environment, including the relationship with the audience’s gaze, the passage of time, and the conditions of the exhibition space. Light imbues his work with an intrinsic richness, providing a visual experience that awakens the natural human senses desensitized by our increasingly digital lives.

Masaho Anotani combines various media such as drawing, collage and spray painting and depicts instinct, sensation, observation, doubts, and impulses sometimes in direct ways and sometimes in surreal ways. His work has also attracted attention from the fields of fashion and design, and he has presented many collaborations with fashion brands such as COMME des GARCONS and ZUCCa. In 2016 his work was featured in STEIDL – WERK No. 23: MASAHO ANOTANI “DEFORMED”, created by a celebrated Singaporean designer Theseus Chan and a publisher STEIDL.

Junko Oki engraves stories of life onto textiles, with each stitch placed meticulously by hand. Without the guide of an underdrawing, she creates unique motifs and patterns by freehand stitching and by rejecting the structured tradition of embroidery. Although her works display seemingly rudimentary techniques, the artist’s instinctive approach awakens a visceral reaction in viewers. Through her unique embroidery and careful attention, Junko Oki breathes new life into aged textiles, frames, and other objects. These objects, with years of stories already embedded into them, are revived by Oki’s hand through a series of attentive stitches. They include everything that came into being, and chronologies that once existed but are now gone. At the core of Oki’s creative process is a discovery of new horizons through layered impressions of time.

Takuro Kuwata’s unique and unparalleled works expand the boundaries of ceramic art. His visual language, a contemporary take on traditional Japanese ceramic techniques such as kairagi and ishihaze, has garnered international acclaim. Kuwata’s studio is situated at the heart of Japanese ceramic artistry in the Mino region of Gifu Prefecture, which retains techniques dating back to feudal Japan. Inheriting the traditional tea-ceremony aesthetic of wabi-sabi, his creations celebrate imperfect beauty and natural forms in the preservation of a rustic, unrefined elegance. Through dialogue with environment, history, nature, and time, Kuwata fuses together tradition and modernity, bringing into existence provocative works of art.

Ataru Sato attempts to understand himself, humanity, and the world around him through the act of drawing or painting. Expressing themes such as obsession, fear, and romance through fine – perhaps excessively fine – pencil lines and distinctive brushwork, Sato emphasizes that his works are created for himself. He sees art as being created by people who are alive to express their lived experiences and has no aspiration to create art for art’s sake, art that is novel, or art that seeks to be meaningful. Sato’s images continually propagate, driven by his need to comprehend the indiscernible aspects of life.Born from a core of personal questions, his work is characterized by a powerful energy that penetrates deeply, leaving a lasting impression on its viewers.

Chikashi Suzuki has presented his work in domestic and international magazines, and has been at the forefront of editorial and fashion photography since the 1990s as one of Japan’s leading photographers. A variety of subjects can be found in his portfolio, ranging from the alluring city of Tokyo to flowers, celebrities, and emerging models. Intuitively capturing the candid essence of his subjects, the beauty and wonder of each frame appears to preserve an intimate memory, frozen in time. In contrast to the immediacy of the digital camera, Suzuki explores the palpable richness that is only attainable through film photography.

Noritaka Tatehana presents a never-before-seen perspective and worldview by combining elements of traditional Japanese culture with values of the contemporary world. His carefully honed artistry is elegantly expressed throughout his various mediums. Nurturing the sensitivities of a rich history, mythology, and innovation, Tatehana’s work brims with his potential and hopes for the future. The artist is renowned for his trademark works titled “Heel-less Shoes,” which are inspired by the elevated wooden clogs worn by traditional Japanese courtesans. These works have attracted global recognition since being worn by celebrities including Lady Gaga. To date, Tatehana’s work has been collected by institutions such as the Metropolitan Museum of Art in New York, and the Victoria & Albert Museum in London.

The first exhibition of 2019 features works by these seven artists.Yutaka Aoki, Ataru Sato, Chikashi Suzuki, and Noritaka Tatehana will also hold solo exhibitions at the gallery in 2019.