KOSAKU KANECHIKA is pleased to present the exhibition “GROUP SHOW: 6 ARTISTS” from January 28th to February 25th, 2023.
The show presents work by Yutaka Aoki, Junko Oki, Takuro Kuwata, Ataru Sato, Noritaka Tatehana, and Dan McCarthy.

Yutaka Aoki uses acrylic paint to create abstract works with substantial impasto to study light and its organic, three-dimensional qualities. Aoki observes light as a multi-faceted element that grants information on the world and is also an indicator of the passage of time. His paintings oscillate between two- and three-dimensionality, and respond not only to materials and production processes, but also to specific elements in their environment, including the relationship with the audience’s gaze, the passage of time, and the conditions of the exhibition space. Light imbues his work with an intrinsic richness, providing a visual experience that awakens the natural human senses desensitized by our increasingly digital lives.

Junko Oki engraves stories of life onto textiles, with each stitch placed meticulously by hand. Without the guide of an underdrawing, she creates unique motifs and patterns by freehand stitching and by rejecting the structured tradition of embroidery. Although her works display seemingly rudimentary techniques, the artist’s instinctive approach awakens a visceral reaction in viewers. Through her unique embroidery and careful attention, Junko Oki breathes new life into aged textiles, frames, and other objects. These objects, with years of stories already embedded into them, are revived by Oki’s hand through a series of attentive stitches. They include everything that came into being, and chronologies that once existed but are now gone. At the core of Oki’s creative process is a discovery of new horizons through layered impressions of time.

Takuro Kuwata has rapidly expanded the possibilities of ceramic art by creating works of an unparalleled nature that have been exhibited globally in Brussels, London, and New York. Kuwata’s contemporary visual language, which utilizes techniques of traditional Japanese pottery such as ‘kairagi’ and ‘ishihaze’ in a novel manner, has garnered international acclaim. Situated at the heart of Japanese ceramic artistry, Kuwata’s studio in the Mino region of Gifu retains history and techniques dating back to feudal Japan. Inheriting the traditional tea ceremony aesthetic of wabi-sabi, his works embrace imperfect beauty and natural forms that are celebrated in the preservation of a rustic, unrefined elegance. Through dialogue with the environment, history, nature, and time, Kuwata fuses together elements of tradition and modernity.

For Ataru Sato, drawing and painting are tools to chronicle and interpret the complexity of human life around him, exploring personal themes in strikingly honest and at times provocative imagery. He sees art as being created by people who are alive to express their lived experiences and has no aspiration to create art for art’s sake, art that is novel, or art that seeks to be meaningful. Sato refuses to shy away from fantasies, shame, loneliness, pain, or indulgences, matters that are typically considered indecent or immoral but are nonetheless integral aspects of the psyche. He opens a direct portal into a psychological investigation of his lived experience.

Noritaka Tatehana presents a never-before-seen perspective and worldview by combining elements of traditional Japanese culture with values of the contemporary world. His carefully honed artistry is elegantly expressed throughout his various mediums. Nurturing the sensitivities of a rich history, mythology, and innovation, Tatehana’s work brims with his potential and hopes for the future. The artist is renowned for his trademark works titled “Heel-less Shoes,” which are inspired by the elevated wooden clogs worn by traditional Japanese courtesans. These works have attracted global recognition since being worn by celebrities including Lady Gaga. To date, Tatehana’s work has been collected by institutions such as the Metropolitan Museum of Art in New York, and the Victoria & Albert Museum in London.

American multi-media artist, Dan McCarthy, is not only renowned for his oil paintings and watercolors but also for his vividly pigmented and playful ceramic sculptures. Initially focused on two-dimensional work in his practice, McCarthy reconnected with ceramics around the year 2012. Intentionally uncomplicated, modest, and direct, his ceramics place an emphasis on touch and tactility. McCarthy uses layers of glaze to create his signature vivacity and remarkable visual impact. The foundation of McCarthy’s sculptural practice is to instinctively form the wet, heavy clay into shapes with a “sense of immediacy and buoyant spirit.” Exemplified by his “Facepot” series, his work exudes a cheerful and impish quality upon first glance, yet also embodies a disconcerting emptiness that is hidden from plain view.

This group show presents works by six of the gallery’s artists, including new paintings by Yutaka Aoki, and an embroidered work by Junko Oki that was first presented at her solo exhibition at The Museum of Modern Art, Kamakura & Hayama, last year. We are also delighted to introduce for the first time drawings by Ataru Sato from 2014, new “Heel-less Shoes” by Noritaka Tatehana, as well as a selection of recent works by Takuro Kuwata and Dan McCarthy. At this time, we cordially invite you to attend “6 ARTISTS” at KOSAKU KANECHIKA.