KOSAKU KANECHIKA is pleased to present the exhibition “GROUP SHOW: 6 ARTISTS” from June 8th to July 20th, 2019.
The show presents work by Yutaka Aoki, Junko Oki, Takuro Kuwata, Ataru Sato, Chikashi Suzuki, and Noritaka Tatehana.

Yutaka Aoki expands the scope of painting through an examination of the relationship between painting and the surrounding world, and of the many possibilities that are born from that exchange. Employing multiple techniques, Aoki’s gaze is always on the study of light and its three-dimensional quality. Supplemented by transformations engendered by specific elements in the environment, including the passage of time, the presence of an audience, and the nature of the exhibition space, light imbues his work with an organic richness, providing a visual experience that awakens the natural human senses desensitized by our increasingly digital lives.

Junko Oki engraves stories of life onto textiles, with each stitch placed meticulously by hand. Without the guide of an underdrawing, she creates unique motifs and patterns by freehand stitching and by rejecting the structured tradition of embroidery. Although her works display seemingly rudimentary techniques, the artist’s instinctive approach awakens a visceral reaction in viewers. Through her unique embroidery and careful attention, Junko Oki breathes new life into aged textiles, frames, and other objects. These objects, with years of stories already embedded into them, are revived by Oki’s hand through a series of attentive stitches. They include everything that came into being, and chronologies that once existed but are now gone. At the core of Oki’s creative process is a discovery of new horizons through layered impressions of time.

Takuro Kuwata has rapidly expanded the possibilities of ceramic art by creating works of an unparalleled nature that have been exhibited globally in Brussels, London, and New York. Kuwata’s contemporary visual language, which utilizes techniques of traditional Japanese pottery such as ‘kairagi’ and ‘ishihaze’ in a novel manner, has garnered international acclaim. Situated at the heart of Japanese ceramic artistry, Kuwata’s studio in the Mino region of Gifu retains history and techniques dating back to feudal Japan. Inheriting the traditional tea ceremony aesthetic of wabi-sabi, his works embrace imperfect beauty and natural forms that are celebrated in the preservation of a rustic, unrefined elegance. Through dialogue with the environment, history, nature, and time, Kuwata fuses together elements of tradition and modernity.

For Ataru Sato, drawing and painting are tools to chronicle and interpret the complexity of human life around him, exploring personal themes in strikingly honest and at times provocative imagery. He sees art as being created by people who are alive to express their lived experiences and has no aspiration to create art for art’s sake, art that is novel, or art that seeks to be meaningful. Sato refuses to shy away from fantasies, shame, loneliness, pain, or indulgences, matters that are typically considered indecent or immoral but are nonetheless integral aspects of the psyche. He opens a direct portal into a psychological investigation of his lived experience.

Chikashi Suzuki has presented his work in domestic and international magazines, and has been at the forefront of editorial and fashion photography since the 1990s as one of Japan’s leading photographers. A variety of subjects can be found in his portfolio, ranging from the alluring city of Tokyo to flowers, celebrities, and emerging models. Intuitively capturing the candid essence of his subjects, the beauty and wonder of each frame appears to preserve an intimate memory, frozen in time. In contrast to the immediacy of the digital camera, Suzuki explores the palpable richness that is only attainable through film photography.

Noritaka Tatehana presents a redesigned worldview by combining elements of traditional Japanese culture with those of the contemporary era. His carefully honed artistry is elegantly expressed through various media, and his creations, which nurture the sensitivities of Japanese history, tradition, and innovation, burst with endless possibilities for the future. Gaining the attention of audiences all over the globe, Tatehana is known for his ‘Heel-less Shoes’ series inspired by ‘takageta’— elevated wooden clogs worn by traditional Japanese courtesans. The artist’s works have been acquired by internationally acclaimed institutions such as the Metropolitan Museum of Art in New York, and the Victoria & Albert Museum in London.

This presentation for GROUP SHOW: 6 ARTISTS will consist of approximately 30 works by the six artists.