ART FAIRS

Art Fair Tokyo 2022

Fair

Art Fair Tokyo 2022

Dates

March 11 – March 13, 2022

Link

https://artfairtokyo.com/

Location

Tokyo International Forum
5-1 Marunouchi 3-chome
Chiyoda-ku
Tokyo
100-0005

Booth

N056

Artists

Yutaka Aoki
Jun Oki
Takuro Kuwata
Ataru Sato
Noritaka Tatehana
Alvar Aalto

Installation views of the KOSAKU KANECHIKA booth at Art Fair Tokyo 2022
Installation views of the KOSAKU KANECHIKA booth at Art Fair Tokyo 2022
Installation views of the KOSAKU KANECHIKA booth at Art Fair Tokyo 2022
Installation views of the KOSAKU KANECHIKA booth at Art Fair Tokyo 2022
Installation views of the KOSAKU KANECHIKA booth at Art Fair Tokyo 2022
Installation views of the KOSAKU KANECHIKA booth at Art Fair Tokyo 2022
Installation views of the KOSAKU KANECHIKA booth at Art Fair Tokyo 2022
Installation views of the KOSAKU KANECHIKA booth at Art Fair Tokyo 2022

KOSAKU KANECHIKA is pleased to participate in Art Fair Tokyo 2022 from March 11 to March 13, 2022 with works by Yutaka Aoki, Junko Oki, Takuro Kuwata, Ataru Sato and Noritaka Tatehana. The presentation is a collaboration with SNORK | Modern and Contemporary, a vintage furniture store that specializes in Finnish Modernist design, which will be exhibiting designs by Finnish architect Alvar Aalto alongside the artworks by the five contemporary artists.

Working with his wife Aino, Alvar Aalto realized many architectural projects, extending into the design of furniture, lighting, and other products. The works presented in this booth are a selection of original furniture by the Aaltos that once furnished Modernist architectural structures and are now considered valuable archival objects. The juxtaposition of Aalto’s household objects – universally appreciated over time and across cultures – with artworks by contemporary artists who are currently exploring new expressions seems to give new energy to both.

Included in the presented artwork is Woodcuts, a series of work by Noritaka Tatehana that eliminates the traditional notion of a painting’s composition being purely responsive to the rectangular surface of a canvas, pointing instead toward deixis with space and form in an approach described by Donald Judd in his fundamental essay, “Specific Objects.” Judd had a strong interest in architecture and design and was an avid collector of furniture by Aalto. He is known to have considered the use of space to be just as important as the work itself. Guided by the ideas of Judd, innovation in composition is a key component of this collaborative booth.

WORKS

Yutaka Aoki
Untitled
2021

Yutaka Aoki
Untitled
2021

Acrylic, spray paint, aluminum paint on cotton mounted on panel
162.0 x 130.0 cm
©︎ 2022 Yutaka Aoki

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Junko Oki
nectar
2020

Junko Oki
nectar
2020

Linen, cotton, silk
30.3 x 30.3 x 3.8 cm
©︎ 2022 Junko Oki

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Takuro Kuwata
Untitled
2021

Takuro Kuwata
Untitled
2021

Porcelain, glaze, pigment, gold
h.148.0 x w.55.5 x d.55.0 cm
©︎ 2022 Takuro Kuwata

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Ataru Sato
Division
2019

Ataru Sato
Division
2019

Pencil on paper and paper collage mounted on panel
41.0 x 52.0 cm
©︎ 2022 Ataru Sato

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Noritaka Tatehana
Woodcuts #11
2019

Noritaka Tatehana
Woodcuts #11
2019

Urethane coated wood
h.80.0 x w.60.0 x d.4.0 cm
©︎ 2022 NORITAKA TATEHANA K.K.

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Alvar Aalto
Armchair 51 from Paimio Sanatorium
1930-32

Alvar Aalto
Armchair 51 from Paimio Sanatorium
1930-32

Turquoise lacquered birch
h.77.3 x w.54.2 x d.62.5 cm
© 2022 Alvar Aalto

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