EXHIBITION Tennoz

GROUP SHOW: 4 ARTISTS

Exhibition

GROUP SHOW: 4 ARTISTS

Dates

March 6 – April 3, 2021

Hours

11 am – 6 pm
Closed on Sunday, Monday and National Holidays

Location

KOSAKU KANECHIKA
TERRADA ART COMPLEX I 5F
1-33-10 Higashi-Shinagawa
Shinagawa-ku
Tokyo
140-0002
+81(0)3-6712-3346
kosakukanechika.com

Free admission

Artists

Yutaka Aoki
Junko Oki
Ataru Sato
Chikashi Suzuki

Installation view from GROUP SHOW: 4 ARTISTS at KOSAKU KANECHIKA, 2021
Installation view from GROUP SHOW: 4 ARTISTS at KOSAKU KANECHIKA, 2021
Installation view from GROUP SHOW: 4 ARTISTS at KOSAKU KANECHIKA, 2021
Installation view from GROUP SHOW: 4 ARTISTS at KOSAKU KANECHIKA, 2021
Installation view from GROUP SHOW: 4 ARTISTS at KOSAKU KANECHIKA, 2021
Installation view from GROUP SHOW: 4 ARTISTS at KOSAKU KANECHIKA, 2021
Installation view from GROUP SHOW: 4 ARTISTS at KOSAKU KANECHIKA, 2021
Installation view from GROUP SHOW: 4 ARTISTS at KOSAKU KANECHIKA, 2021
Installation view from GROUP SHOW: 4 ARTISTS at KOSAKU KANECHIKA, 2021
Installation view from GROUP SHOW: 4 ARTISTS at KOSAKU KANECHIKA, 2021
Installation view from GROUP SHOW: 4 ARTISTS at KOSAKU KANECHIKA, 2021
Installation view from GROUP SHOW: 4 ARTISTS at KOSAKU KANECHIKA, 2021
Installation view from GROUP SHOW: 4 ARTISTS at KOSAKU KANECHIKA, 2021
Installation view from GROUP SHOW: 4 ARTISTS at KOSAKU KANECHIKA, 2021
Installation view from GROUP SHOW: 4 ARTISTS at KOSAKU KANECHIKA, 2021

KOSAKU KANECHIKA is pleased to present the exhibition “GROUP SHOW: 4 ARTISTS” from March 6th to April 3rd, 2021.
The show presents work by Yutaka Aoki, Junko Oki, Ataru Sato, and Chikashi Suzuki.

Yutaka Aoki uses acrylic paint to create abstract works with substantial impasto to study light and its organic, three-dimensional qualities. Aoki observes light as a multi-faceted element that grants information on the world and is also an indicator of the passage of time. His paintings oscillate between two- and three-dimensionality, and respond not only to materials and production processes, but also to specific elements in their environment, including the relationship with the audience’s gaze, the passage of time, and the conditions of the exhibition space. Light imbues his work with an intrinsic richness, providing a visual experience that awakens the natural human senses desensitized by our increasingly digital lives.

Junko Oki engraves stories of life onto textiles, with each stitch placed meticulously by hand. Without the guide of an underdrawing, she creates unique motifs and patterns by freehand stitching and by rejecting the structured tradition of embroidery. Although her works display seemingly rudimentary techniques, the artist’s instinctive approach awakens a visceral reaction in viewers. Through her unique embroidery and careful attention, Junko Oki breathes new life into aged textiles, frames, and other objects. These objects, with years of stories already embedded into them, are revived by Oki’s hand through a series of attentive stitches. They include everything that came into being, and chronologies that once existed but are now gone. At the core of Oki’s creative process is a discovery of new horizons through layered impressions of time.

Ataru Sato attempts to understand himself, humanity, and the world around him through the act of drawing or painting. Expressing themes such as obsession, fear, and romance through fine – perhaps excessively fine – pencil lines and distinctive brushwork, Sato emphasizes that his works are created for himself. He sees art as being created by people who are alive to express their lived experiences and has no aspiration to create art for art’s sake, art that is novel, or art that seeks to be meaningful. Sato’s images continually propagate, driven by his need to comprehend the indiscernible aspects of life.Born from a core of personal questions, his work is characterized by a powerful energy that penetrates deeply, leaving a lasting impression on its viewers.

Chikashi Suzuki has presented his work in domestic and international magazines, and has been at the forefront of editorial and fashion photography since the 1990s as one of Japan’s leading photographers. A variety of subjects can be found in his portfolio, ranging from the alluring city of Tokyo to flowers, celebrities, and emerging models. Intuitively capturing the candid essence of his subjects, the beauty and wonder of each frame appears to preserve an intimate memory, frozen in time. In contrast to the immediacy of the digital camera, Suzuki explores the palpable richness that is only attainable through film photography.

This group show presents works by four of the gallery’s artists, including an embroidered work by Junko Oki that is being exhibited in Tokyo for the very first time. We are also delighted to introduce Ataru Sato’s newest paintings along with a selection of recent works by Yutaka Aoki and Chikashi Suzuki, who both have solo exhibitions scheduled later this year. At this time, we cordially invite you to attend “4 ARTISTS” at KOSAKU KANECHIKA.

WORKS

Yutaka Aoki
Untitled
2019

Yutaka Aoki
Untitled
2019

Acrylic, spray paint on cotton mounted on panel
162.0 x 130.3 cm
©︎ 2021 Yutaka Aoki

INQUIRE
Yutaka Aoki
Untitled
2019

Yutaka Aoki
Untitled
2019

Acrylic, spray paint on cotton mounted on panel
116.7 x 91.0 cm
©︎ 2021 Yutaka Aoki

INQUIRE
Yutaka Aoki
Untitled
2020

Yutaka Aoki
Untitled
2020

Acrylic, spray paint, aluminum paint on cotton mounted on panel
27.3 x 22.0 cm
©︎ 2021 Yutaka Aoki

INQUIRE
Junko Oki
Wrapping a bandage around my hand 02
2019

Junko Oki
Wrapping a bandage around my hand 02
2019

iron, bandage, beeswax
h.83.0 x w.80.0 x d.4.0 cm
© 2021 Junko Oki

INQUIRE
Junko Oki
time machine
2017

Junko Oki
time machine
2017

Cotton, linen, silk
202.0 x 195.0 cm
© 2021 Junko Oki

INQUIRE
Junko Oki
Feeling unsaid and unspoken words 02
2019

Junko Oki
Feeling unsaid and unspoken words 02
2019

Silk, linen, cotton, wooden box
h.23.0 x w.12.3 x d.12.5 cm
© 2021 Junko Oki

INQUIRE
Ataru Sato
Fade away
2021

Ataru Sato
Fade away
2021

Mixed media on canvas mounted on wooden box
h.28.5 x w.21.0 x d.8.0 cm
©︎ 2021 Ataru Sato

INQUIRE
Ataru Sato
wanto
2021

Ataru Sato
wanto
2021

Acrylic, pencil, ink, oil on cloth mounted on panel
39.0 x 30.0 cm
©︎ 2021 Ataru Sato

INQUIRE
Ataru Sato
TURNED DOWN
2021

Ataru Sato
TURNED DOWN
2021

Acrylic, ink, oil on panel
30.0 x 30.0 cm
©︎ 2021 Ataru Sato

INQUIRE
Ataru Sato
Dream Chaser
2021

Ataru Sato
Dream Chaser
2021

Acrylic, ink, oil on cloth mounted on panel
27.5 x 27.5 cm
©︎ 2021 Ataru Sato

INQUIRE
Ataru Sato
Phycho crusher attack
2021

Ataru Sato
Phycho crusher attack
2021

Acrylic, ink, oil on cloth mounted on panel
27.5 x 27.5 cm
©︎ 2021 Ataru Sato

INQUIRE
Ataru Sato
Dhalsim
2021

Ataru Sato
Dhalsim
2021

Acrylic, ink, oil on cloth mounted on panel
27.5 x 27.5 cm
©︎ 2021 Ataru Sato

INQUIRE
Chikashi Suzuki
Meguro, Tokyo
2011

Chikashi Suzuki
Meguro, Tokyo
2011

C-print
Sheet size: 45.4 x 57.0 cm
Frame size: 51.8 x 63.4 x 3.9 cm
©︎ 2021 Chikashi Suzuki

INQUIRE
Chikashi Suzuki
Shinjuku, Tokyo
2004

Chikashi Suzuki
Shinjuku, Tokyo
2004

C-print
Sheet size: 45.4 x 57.0 cm
Frame size: 51.8 x 63.4 x 4.3 cm
©︎ 2021 Chikashi Suzuki

INQUIRE
Chikashi Suzuki
Meguro, Tokyo
2002

Chikashi Suzuki
Meguro, Tokyo
2002

C-print
Sheet size: 45.4 x 57.0 cm
Frame size: 51.8 x 63.4 x 4.3 cm
©︎ 2021 Chikashi Suzuki

INQUIRE